Articles Kantoi Short Film in Freedom Film Fest 2018 Life as a (Sutra) dancer and full-time model: Vanizha Vasanthanathan Culture and Creative Sector to Create More Than 125,000 Jobs in Kuala Lumpur by 2022 ‘EPOCH’ REMINDS US ABOUT THE ENVIRONMENTAL ISSUES OF TODAY Giving us a taste of their lives through theatre ‘I come from a family of performers; I am the only one left’: Arn Chorn-Pond’s Story Here’s who you will be seeing at Pitchpad ASEAN this year 5 things to look forward to at Borak Arts Series 2017 Balancing Act – A (Dr) Shark’s Tale MyPAA is turning 5 and giving away freebies! Dato’ Sri Bernard Chandran’s take on dressing Odissi Having an eye for the perfect moment There’s an Arts Festival Blossoming in KL this month! Doors are open for Australian and Malaysian arts professionals 5 things you don’t know about… the history of Chinese theatre in Malaysia Crossing over – A New Milestone in Malaysia-Chinese Theatre Extending your play’s shelf-life – Self-publishing for playwrights How To Apply for Corporate Tax Deduction Betrayal – How does translation change context? 5 things you don’t know about… KL City Opera How to stage a successful production: Team work 5 things you don’t know about… penangpac How to stage a successful production: Prep work Islamic theatre: A new addition to the social theatre family Asterik Anak Seni’s Pedofilia: How localisation of plays can move us forward ASK Dance Company – Empowering the community through the arts Adapting to children’s theatre Tips for theatre directors 5 things you don’t know about …performing for young audiences 5 things you didn’t know about… commissioned performances HOW TO CONQUER THE SINGAPORE STAGE: THE MALAYSIAN TROJAN HORSE (PART 3 – One soldier’s story) Theatrix- The prize is in the performance Alif Imran: Breaking taboos with Islamic theatre 5 things you don’t know about…Na’a Murad Warm-up exercises for dancers The Actors Speak: A Language of Their Own 5 things you don’t know about… stage management Does your art have impact? Can you prove it? HOW TO CONQUER THE SINGAPORE STAGE: THE MALAYSIAN TROJAN HORSE (PART 2 – Your first step towards the Singapore Stage) Bernard’s Vision: A New Direction for DPAC HOW TO CONQUER THE SINGAPORE STAGE: THE MALAYSIAN TROJAN HORSE (PART 1 – Casting the shiniest stars, no matter where they come from) Partners in progress: How Think City is reframing the grant process Why don’t more performing artists apply for grants? 3 Ways Biomechanics Helps Actors Social Media for Performing Artists: The Pros and Cons Res Artis – Knowledge, networking and support for arts residency hosts 4 reasons why actors need training Is it art? – A closer look at pole dancing Adding spice to life: The appeal of performing arts ‘Open Stage’ for emerging work and talent in the performing arts 5 things you don’t know about… Tria Aziz Improving Quality of Life with Performing Arts Think City, think art: How the arts are reviving our city’s ‘dead’ neighbourhoods Fear of Other Languages: One Step Away from “Malaysian” Theatre? Bond Street Theatre – Theatre for the Unheard Guiding and strengthening the residency wave – an interview with Eliza Roberts (part 2) ARTERI’s long list of most influential people in 2017 Discussion, research and innovation – The Malaysian Performing Arts scene in 2016 Developing arts residencies – An interview with Eliza Roberts Tales of a Travelling Musician – The Kevin Michael Project Ready? Set: Do’s and don’ts for performers at an open mic night (part 2) An Actor’s Journey – In conversation with Tan Meng Kheng Growing beyond borders – Another performing arts enterprise moves on Dreams vs. Reality: Win-win sponsorship (Part 2) Why Are Performing Arts Residencies So Hard To Find? Dreams vs. Reality: ART PROJECT PROPOSAL AND FUNDING STRATEGIES (part 1) Shakespeare’s reluctant understudy 5 things you don’t know about… Centrestage Voices of Magic (part 3) – Challenges Rehearsing With An Unknown Cast – Qahar Aqilah Takes On Every Brilliant Thing The (Re)Discovery of Malaysia’s Layered Cultural Self – PUSAKA Evenings at Publika 5 things you don’t know about… busking in Malaysia Musical Theatre melting pot – Can one class fit all? Actors Behaving Badly – The Backstage Experience 5 things you don’t know about… Peter Ong Bistro Suka Duka: Revealing new sides of the arts 5 things you don’t know about… jazz piano in Malaysia What’s the ideal age to learn ballet? Why arts awards matter A director’s choices – Interview with Ghafir Akbar SK!N: An artist statement Corrupted Art: Why You Shouldn’t Give Up On Art Just Because Rich People Buy It 5 things you don’t know about… Liver and Lung Productions 5 things you don’t know about… the healing power of singing Voices of Magic (part 1): The World of A Capella Theatre technician training and certification: Strengthening ‘the backbone of the sector’ From canvas to stage – Where ARTERI started and where it’s going Dissecting Lavinia: An Actor’s Process The ‘Cikgu Man’ Affair: Since When Is Busking A Crime? If It Were Irrelevant, It Wouldn’t Be Banned Open Mic Nights – A Stage For All Musicians Lee Wushu Arts Theatre – Locally Crafted, Internationally Acclaimed 5 Things You Don’t Know About… Theatresauce 5 Things You Don’t Know About … WVC Malaysian Jazz Ensemble 5 Things You Don’t Know About… Krishen Jit Why Don’t Malaysia’s World-Class Dancers Receive World-Class Support? 5 Things You Don’t Know About … Stand-Up Comedians On Giving Feedback To Young Choreographers – Interview with Rithisal Kang 5 Things You Don’t Know About… Toccata Studio Suits and Citizens – Singapore’s Public-Private Partnerships for the Arts 5 Things You Don’t Know About …. Gardner & Wife 5 Things You Don’t Know About … PAN Productions What Happened To The Old ARTERI? 5 Things You Don’t Know About… Janet Lee Shimmering Sounds: Music of the Gamelan Why You Need an Arts Administrator (and can’t have one) A Newbie Musician’s Guide to CMOs, Royalties and Rights 5 Things You Don’t Know About… Farah Sulaiman Kampung Beatbox – What happens when children are introduced to a new art form? 5 things you don’t know about… The Daily Seni Vital Support for Freedom Myths About Sponsorship Would Your Performance Appeal To An American Audience? 5 Things You Don’t Know About… theatrethreesixty A Definition Of ‘Cultural Mobility’ In The Arts and Culture Sector The Role Of An Artist In Society What You Don’t Know about Malaysia’s performing arts scene How Successful Do You Have To Be To Survive On Ticket Sales Alone? The Voices That Launched ARTERI How ARTERI Keeps The Arts Heart Beating
